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Assamese tribes and culture

Various Cultures Of Assam

Culture is a term admitting of various interpretations. The consensus of opinion seems to indicate that it generally transcends the biological individual and deals with the mass of learned and transmitted habits, techniques, ideas, and values-and the behaviour they induce in a particular social group. Culture not only comprehends what is obvious, that is, the arts and crafts and oral or written literatures and thought currents, but also the basic customs and traditions, rites and rituals which together foster a certain social pattern and a certain outlook among the people living in that pattern. Literature and historical incidents are but what we see from the outside; what gives authenticity and a convincing colour to any study of a social group is an understanding of the deeper roots from which it sprouted. Assam is the meeting ground of diverse cultures. The people of the enchanting state of Assam is an intermixture of various racial stocks such as Mongoloid, Indo-Burmese, Indo-Iranian and Aryan. The Assamese culture is a rich and exotic tapestry of all these races evolved through a long assimilative process. The natives of the state of Assam are known as "Asomiya" (Assamese), which is also the state language of Assam.

From time immemorial, the people of Assam have traditionally been craftsmen. Artists, sculptors, masons, weavers, spinners, potters, goldsmiths, artisans of ivory, wood, bamboo, cane and hide have flourished in Assam from ancient times.

Weaving is one traditional craft that every Assamese woman takes pride in. The Assamese women produce silk and cotton clothes of exquisite designs in their looms. Assam is renowned for its exquisite silks namely Eri, Pat and the world famous Muga silk. Gandhiji complimented the Assamese weavers as artists who could weave dreams in their looms.

Sri Krishna Rakh Leela
Sri Krishna Rakh Leela
Sri Krishna Rakh Leela is a beautiful devotional and cultural tradition in Assam that celebrates the divine acts (Leela) of Lord Krishna. In this sacred observance, devotees enact scenes from Krishna life, especially focusing on his childhood (Bala Leela) and youthful divine plays (Rakh Leela), emphasizing his role as a protector of dharma and a symbol of divine love.
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Nagara Naam
Nagara Naam
Nagara Naam is a vibrant and deeply spiritual form of traditional devotional music practiced in Assam. It involves the collective singing of naam (devotional verses) accompanied by the rhythmic beats of the nagara (a large kettledrum) and other traditional instruments like taal (cymbals).
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Paal Naam
Paal Naam
Paal Naam is a deeply spiritual and traditional devotional practice in Assamese culture, particularly connected to the Sattra institutions and Namghar (community prayer halls). It involves continuous, group recitations of sacred verses, prayers, and hymns, mainly from the works of Srimanta Sankardev and Madhavdev, who were great saints and reformers of Assam’s Vaishnavite movement.
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Nangol Dhuwa Pitha
Nangol Dhuwa Pitha
Nangol Dhuwa Pitha is a special traditional rice cake from Assam, deeply connected with agricultural life and harvest celebrations.
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Bhekuli Biya Or Frog Weddings
Bhekuli Biya Or Frog Weddings
Frog weddings which is called as Bhekuli Biya in Assamese (Bhekuli means Frog and Biya means Marriage in Assamese) is a mythical marriage between two frogs to please the rain god during summer hoping it would open up the skies and bring the monsoon which ensures a good harvesting. Its also common some others parts of India like U.P., Maharastra, Tripura etc.
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Toloni Biya Or Tuloni Biya Or Nua-tuloni-biya Or Santi Biya
Toloni Biya Or Tuloni Biya Or Nua-tuloni-biya Or Santi Biya
Assamese peoples marked two marriages of their daughters. The first marriage is known as Toloni Biya or Tuloni Biya or Nua-tuloni-biya or Small Wedding (Biya means Marriage in Assamese), which is celebrated in childhood. When any Assamese girl reaches puberty and starts menstruation this biya is celebrated. This marriage is celebrated with same enthusiasm as like a real wedding.
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No Khuwa
No Khuwa
In Assamese No means - New & Khuwa means - to eat, and altogether it means New Things to eat. In Assam almost 80% of the population is directly or indirectly dependent on agriculture. The majority of the land in the State is owned by Small and Marginal farmers. Rice is the main food crop in Assam's agriculture as it is the main diet of Assamese peoples.
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Jolpan - Traditional Assamese Breakfast
Jolpan - Traditional Assamese Breakfast
Jolpan is a mini meal in Assam.It generally contains of some forms of rice like roasted and ground rice (xandoh), flattened(chira), puffed rice (muri) komal saul or cooked glutinous rice (bora saul). Generally they are are eaten along with curd or cream and jaggery. Flattened rice (Bora Dhan'or Cira) served with cream and a sweet instead of Jaggery
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Jhumur Dance
Jhumur Dance
Jhumur dance is a traditional dance of tea tribe communities of Assam. The dance is usually performed during Autumn season in assam. This dance is also found in few parts of West Bengal. This dance is performed by young girls mostly in an open area like field or under tree. The girls performed this dance is acconpanied by male members to maintain the rhythm and vocals and playing musical instruments.
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Ojapali Dance
Ojapali Dance
The OjaPali is the most distinctive folk dance from Assam, representing the rich tradition and cultural heritage of the state. Assamese culture is enriched by the elements of ethnic culture of various tribes and castes, religions and languages. Out of these traditional cultures, OjaPali is one of the oldest performing arts.
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Assamese tribes and culture
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